Nadya arrives in Belgrade from Moscow for a vacation, where she unexpectedly meets the captivating Serb, Neša, who speaks a bit of Russian.

Neša’s life couldn’t be more different from Nadya’s carefully organized existence in Moscow; he dresses in an eccentric, casual style, earns his money by juggling on the streets in front of stopped cars, and lives without the security of a permanent home or even a mobile phone.

His carefree approach to life, far removed from the routines and expectations Nadya knows, immediately fascinates her, and she’s swept up in his relaxed, spontaneous way of living.

As days pass, the thrill of freedom fades, and Nadya begins to question her impulsive choices, realizing this unbound life may not be as enchanting as she first thought.

There are borders that even rivers cannot cross.In turn, Andrei Plakhov said:[5] The result is a film that is pleasant to watch, easy to breathe, and in which all the artistic elements seem to float freely with the flow, but are so adjusted to each other that it is impossible to find out where is whose gift.