Former Eighth Air Force bomber crewman Captain Jeff Eliot returns to Germany in 1947 to visit the family who rescued and hid him from the Nazis after his plane was shot down over Munich in World War II.

The climax of the picture takes place in Berchtesgaden, and the scenes of Heisemann being chased through the rubble were filmed inside the ruins of Hitler's house just before its final demolition by the German government.

Heisemann in the scene's final frame stands facing his captors in the notorious huge picture window of the house.

[1] In his August 30, 1952 review in The New York Times, Howard Thompson wrote: “ Metro-Goldwyn-Mayer has gone to a great deal of trouble to authenticate "The Devil Makes Three," a curiously disappointing melodrama of Occupied Germany and Austria … Producer Richard Goldstone filmed the offering entirely on location, using a supporting cast composed almost entirely of native talent…this latest safari, bucking the wintry ruggedness of some truly striking natural settings, has returned with as graphic a contemporary canvas as we have had in some time.Scenery or no scenery, however, the film remains, on the whole,…little more than a Continental Western… the director has staged a frenzied but routine climax atop Berchtesgaden, no less, with Mr. Kelly and the M. P.'s (or the Cavalry) snaring the chief culprit.

And while it is hard to believe that Miss Angeli would ever set foot in a questionable bistro, much less serve as a "hostess," this frail doe-eyed girl manages to convey a smoldering innocence that comes close to justifying the whole misguided excursion.”[2]