The character Japhy drives Ray Smith's story, whose penchant for simplicity and Zen Buddhism influenced Kerouac on the eve of the sudden and unpredicted success of On the Road.

The action shifts between the events of Smith and Ryder's "city life," such as three-day parties and enactments of the Buddhist "Yab-Yum" rituals, to the sublime and peaceful imagery where Kerouac seeks a type of transcendence.

It relates Kerouac's introduction to this type of mountaineering and inspired him to spend the following summer as a fire lookout for the United States Forest Service on Desolation Peak in Washington.

And I was the one who got things jumping by going around collecting dimes and quarters from the rather stiff audience standing around in the gallery and coming back with three huge gallon jugs of California Burgundy and getting them all piffed so that by eleven o'clock when Alvah Goldbook was reading his poem 'Wail' drunk with arms outspread everybody was yelling 'Go!

"Gary Snyder wrote Kerouac saying "Dharma Bums is a beautiful book, & I am amazed & touched that you should say so many nice things about me because that period was for me really a great process of learning from you..." but confided to Philip Whalen, "I do wish Jack had taken more trouble to smooth out dialogues, etc.