Recent productions include The Great Recession: six plays commissioned by The Flea exploring the impact of the current economic crisis on the younger generation written by Thomas Bradshaw, Sheila Callaghan, Erin Courtney, Will Eno, Itamar Moses and Adam Rapp; Jonathan Reynolds's Girls in Trouble; and Bathsheba Doran's Parents’ Evening.
Dissatisfaction, notably surrounding unpaid labor and perceived mistreatment of Black artists, surfaced prominently in 2020 when actress Bryn Carter articulated concerns regarding elitism and racism within the institution.
This catalyzed a transformative process culminating in the establishment of the Fled Collective, a group vocally critical of the extant Flea paradigm, which secured financial support to independently curate programming in the TriBeCa venue.
Confronting fiscal challenges subsequent to the departure of key personnel, including Carol Ostrow, the Flea instituted a hybrid operational model, committing to remunerative practices for actors and a thematic emphasis on the works of "Black, brown, and queer artists."
Emphasizing the Fled Collective's earned merit, passion, and potential for a dynamic season, the couple criticized the dissolution of the Flea's programs.