The Gingerbread Man is a 1998 American legal thriller film directed by Robert Altman and based on a discarded John Grisham manuscript.
Rick drives the woman to her home, where her car has been already parked, seemingly by her father, Dixon Doss (Robert Duvall).
Having started a relationship with Mallory, Rick agrees and is successful in having Dixon put on trial thanks to favors from his staff, including his investigator, Clyde Pell (Robert Downey, Jr.).
Mallory's ex-husband, Pete Randle (Tom Berenger) also takes the stand, to testify about his former father-in-law's erratic behavior.
Scared of retaliation, Magruder assigns Pell to guard Mallory while he attempts to gain support from the police to apprehend Dixon.
The police are unhelpful, even after Dixon and his friends set Mallory's car on fire, due to the many cases Magruder has won against them.
During the call, Magruder's children are apparently taken by Dixon's crew, and he is forced to rendezvous with Mallory so that she can lead him to her father's house.
As the film concludes, Magruder decides not to fight the charges against him, accepting a plea deal that involves community service.
[7] In addition to Two Girls and a Guy, which was also shot in the early months of 1997, the film was Robert Downey Jr.'s first acting role after a 1996 drug arrest.
Polygram Films brought in an outsider to re-edit the movie without informing Altman, and claimed that his version "lacked tension and suffered from an inappropriate music score".
[9] Years later, Ray Pride interviewed Altman about the post-production debacle and he replied, "Well, it's criminal, their treatment of that film.
There was a vindictive order from the guy who was running [Polygram Films], he was so pissed off with me, he literally told them, 'I want that movie killed.'
"[11] In his review for the San Francisco Chronicle, Mick LaSalle wrote, "If it weren't for Altman's touches, The Gingerbread Man would be a mediocre thriller.
"[12] Jay Carr of The Boston Globe said that the film "is fun junk...We're talking claptrap here, but it's more enjoyable than it has any business being, thanks to director Robert Altman and star Kenneth Branagh.