The Goddess of 1967

The story opens in Tokyo where JM (Rikiya Kurokawa), a rich, young IT worker and sometime computer hacker, is attempting to purchase a 1967 model Citroën DS, or Goddess, as it is known to French car aficionados.

After tracing, on the Internet, a perfectly restored Citroën owned by a couple in Australia, JM abandons his job and flies out to purchase the rare car, which he thinks can fill the emptiness in his life.

As BG and JM journey into the spectacular but harsh landscape, the viewer is taken on a series of complex and often confusing flashbacks which attempt to illustrate the dark tragedies that have shaped their respective lives.

JM's infatuation with the car is apparently an attempt to fill the emotional gap created by his friend's death and the barren life he leads in Tokyo, which, he tells BG, is alien and "just like Mars".

As a young child, she was also sexually abused by her grandfather (who is her blood father) and traumatised by Marie (Elise McCredie), her disoriented and deeply religious mother.

Although blind, BG carries a pistol which she fires occasionally: the first time at two sinister men who pull alongside the car during JM's test drive and later, in the outback, to destroy the radio she uses to listen to the obituary notices.

In the course of their journey through an unremittingly hostile world inhabited by cruel outback men and women, the couple become friends and, after JM teaches BG how to dance, tentative lovers.

The Corrugated Iron Church, Lightning Ridge, one of the film's locations