One of the smaller works (identified in Vuillard's notes as The Cafe) was featured on an episode of the BBC television programme Fake or Fortune?
Standing four feet high[6] in portrait orientation, neither appeared in the Vuillard catalogue raisonné when the paintings were acquired as a pair by art dealer Robert Warren.
The main painting of the commission, Le Grand Teddy, is currently privately owned and kept in secure storage in Geneva, Switzerland, and, at the time the programme was made, it was the only one of the three known to still exist, and to have been fully confirmed as a genuine Vuillard.
He was thought to have chosen glue distemper for the Grand Teddy commission in part because its unvarnished matte surface did not reflect the bright electric lights then coming into common use.
The programme's team was also able to visit the Bibliotheque Nationale in Paris, where they discovered the original interior design drawings for Le Grand Teddy, showing how the paintings would have been placed.
The programme's art historian Bendor Grosvenor was able to locate an article in Windsor Magazine, from 1933, which specifically mentioned both The Café and The Oysters as being in Cochran's possession at the time.
team learned that the committee had unanimously agreed The Café to be a genuine work, and that it would henceforward be incorporated into the catalogue raisonné of Vuillard.