The Hills Run Red is a 2009 American slasher film directed by Dave Parker and written by David J. Schow[4] and starring Sophie Monk, Tad Hilgenbrink and William Sadler.
When Tyler discovers that Concannon's daughter Alexa works in a nightclub as a stripper, he decides to meet her and ask about the lost film.
Tyler wakes and finds himself tied to a wheelchair, with many film reels of The Hills Run Red behind him and Concannon finally appearing.
Growing up watching The Hills Run Red, Babyface mutilated his own face and stitched the mask to himself like the fictional character to please his father.
As Concannon speaks with Tyler, Alexa begins filming her own movie as she tortures Lalo in the barn while Babyface rapes Serina.
Alexa then ties Tyler up and forces him to watch her cut of The Hills Run Red, thanking him for realizing her potential as a director independent from her father.
[5] In 2006, director Dave Parker and producer Robert Meyer Burnett signed onto the film after turning down an offer to take on the studio's Wicked Lake.
[6] Parker, who had been on hiatus since directing The Dead Hate the Living!, and Burnett flew out to Hollywood, California and shot a teaser trailer for the film which drew the attention of Bryan Singer and Gil Adler.
Singer would reach out to Diane Nelson, head of Warner Premiere at the time, who would agree to produce the film along with Dark Castle Home Entertainment; giving the greenlight in April 2008.
[9][10] In June 2008, the film was officially announced with Sophie Monk, Tad Hilgenbrink, Janet Montgomery, and William Sadler as part of the cast.
[12] Sadler, who already had a working relationship with the film's executive producer Joel Silver, was Parker's first choice for the role of Wilson.
[22] Gareth Jones from Dread Central awarded the film a score of 4/5 stating "If you’re a fan of slasher flicks, or even just truly inventive and twisted horror, you owe it to yourself to pick it up".
[23] Felix Vasquez from Cinema Crazedcalled it "[a] maniacal, gory, and smart slasher", commending the film's anarchic tone, quick pacing, themes, and villain.