The Horses and the Hounds is the tenth studio album by American singer James McMurtry.

According to Metacritic, The Horses and the Hounds has a score of 81 out of 100, indicating that it has received "universal acclaim" from music critics.

[1] In Paste, Geoffrey Himes wrote that "on this record, McMurtry sings in the first person as if he were an old man phoning from Canada to an old friend who had briefly been a lover; as if he were a mentally unbalanced man who shoots his best friend for no good reason; as if he were a homeless truck driver living in a series of motels; as if he were a husband with a flat tire, an angry wife and no internet.

"[2] Writing for Pitchfork, Stephen M. Deusner said "McMurtry has become what’s known as a songwriter's songwriter: someone whose facility with words and influence on other artists far outstrip his mainstream notoriety and album sales".

[3] Slant writer Jeremy Winograd opined that "McMurtry has always been a superb, instinctive storyteller, using his characters as conduits to get at more profound truth than a more diaristic lyricist might", and that The Horses and the Hounds not only features "no shortage of great stories", but details that "betray a self-aware preoccupation with aging that lend the album a more endearingly personal bent than his previous efforts".