At Jesus Freak Hideout, Timothy Estabrooks wrote that this was a "fairly brief ten tracks, two of which are Needham originals", yet "as a simple hymns project, it's really quite good and offers some unique ideas among today's worship genre.

"[2] At The Christian Manifesto, Lydia Akinola wrote that Needham "has the talent of a true artist, being able to work with an assortment of styles and sounds, and making them each his own."

[5] The Phantom Tollbooth's Michael Dalton stated that stylistically the music was a broad spectrum encompassing everything from dance, jazz, soul and even industrial.

[2] At The Phantom Tollbooth, Michael Dalton wrote that the album made "subsequent volumes [...] worth having", and that listeners "don't have to like hymns to appreciate these creative versions.

"[8] However, CCM Magazine's Grace S. Aspinwall stated that listeners should still find some sense of satisfaction in a good album of musical diversity, which she noted was a "unique compilation.