[8] Benode Behari Mukherjee was an Indian artist, born on 7 February 1904, into a well-educated family in Behala, in the state of West Bengal.

Mukherjee, the youngest child of his family among six children, is shown spending his initial days as a student in Santiniketan with his drawings and paintings.

The film then features Mukherjee's journey to Japan where he learned from noted Japanese artists, including Tawaraya Sōtatsu and Toba Sōjō.

It shows Mukherjee's first fresco on the ceiling of the new dormitory of Kala Bhavan, executed using earth colours to display a pond surrounded by rural life around Santiniketan.

Mukherjee himself then explains another fresco done at the Hindu Bhavana in Santiniketan covering three walls of the central hall, which displays religious themes of Medieval India and its uniqueness of not having any preliminary tracing.

Covering Mukherjee's tenure at the National Museum of Kathmandu and his Nepalese frescoes at Banasthali Vidyapith, Rajasthan, the film also highlights his own school at Dehradun.

A sitar composition by Nikhil Banerjee plays in the background, composed in the Hindustani classical morning raga Asavari, indicating optimism.

[11] Josef Lindner was appointed as a preservation officer and as of October 2010[update] the Academy could successfully restore 19 Ray titles.