[6] The musicians for the world premiere production of The Island of Doctor Moron were:[7] Kelly Bryant - Backing Vocalist Jane Eller - Backing Vocalist Lyn Dockrill - Backing Vocalist Paul Robert Burton - Acoustic Bass, Guitarlele Michael Hawke - Soprano, Alto, Tenor Sax/flute, harmonica Andrew Toner - acoustic/electric guitars Andrew Byrnes - drums Craig Morrison – percussion The production team of the world premiere production of The Island of Doctor Moron were:[8] Executive Producer – Chris Dockrill Executive Musical Director - Lyn Dockrill Musical Director - Paul Robert Burton Production manager - Luke Dockrill Art and Design Director - Chris Austin Audio Engineer - Phil "Kez" Kesby Choreographer - David Camm Lighting Designer – Billy Mawer [9] A CD live cast recording of all songs in the show was produced in October–November, 2014 [10] The Band consisted of:[10][11] Andrew Toner - acoustic/electric guitars Andrew Byrnes - drums Craig Morrison - percussion Paul Robert Burton – Acoustic Bass, guitarlele and harmonica Michael Hawke – Soprano, Alto, Tenor Sax/flute, harmonica Lead vocalists: Lyndell Arthur, James Berkley, Cramer Cain, Jess D’Souza, James Jonathon, Bree Langridge, Nana Matapule, Wayne McDaniel, Amanda Stella Webb Backing vocalists: Kelly Bryant, Lyn Dockrill, Jane Eller Disc 1 (Songs from Act 1):[10] 1.
Genetic Mutation – Vocals: James Berkley Harrison III, Lyndell Arthur, Nick Jones, Nana Matapule, Amanda Stella Webb and Jessica D’Souza 5.
You Bring Out The Beast in Me – Lead Vocals: Amanda Stella Webb, Wayne McDaniel, Jessica D’Souza, Bree Langridge, Steve Maresca and James Berkley Harrison III A raging storm at sea surrounds the audience, who follow the adventures of Edwyna and Douggie.
All narrative threads ultimately lead to Doctor Moron, his devoted woman, Mona, and his maniacal quest to unleash the beast in all humans.
[8] The cast of the world premiere production of The Island of Doctor Moron were : An early review of a technical rehearsal, published three days prior to the opening of the show to the public was negative – "Not quite the next Rocky Horror",[12] however subsequent media responses based on the actual performances before paying audiences were all positive.
[13] The show went on to receive positive responses from many sources, including from Alan Jones,[14] Alternative Media Group of Australia,[15] Australian Musician Magazine,[16] Canterbury Torch,[17] the Central Coast Express,[18] Central Sydney Magazine,[19] the Daily Telegraph,[20] Macleay Argus,[21][22] Time Out Australia,[23] St George and Sutherland Shire Leader,[24] and the Wentworth Courier.