[4] Based on the character Tarzan created by Edgar Rice Burroughs, the film stars Alexander Skarsgård, Samuel L. Jackson, Margot Robbie, Djimon Hounsou, Jim Broadbent, and Christoph Waltz.
The story follows John Clayton (Tarzan), who, after moving to London, is convinced by George Washington Williams to return to his former home in the jungles of Africa, to investigate claims of slavery.
The film premiered at the Dolby Theatre in Los Angeles on June 29, 2016, and was theatrically released in the United States on July 1, 2016, in 2D, 3D, and IMAX, by Warner Bros.
Five years later, after accruing massive debts in exploiting the resources of the Congo Free State, Leopold sends his envoy Léon Rom to secure the fabled diamonds of Opar.
John Clayton, Earl of Greystoke, has left Africa for his estate in Britain with his American wife, Jane, and embraced life as a wealthy nobleman.
John's parents survived a shipwreck only to die in Africa, where their child, as a baby, was adopted by the Mangani, a race of gorilla-like apes more dangerous and aggressive than gorillas.
The Prime Minister and an American envoy, George Washington Williams, explain that Leopold is defaulting on his loans, and a visit from Greystoke – whose exploits as Tarzan made him a celebrity – would secure Britain's influence in the Congo.
George approaches Clayton in the street and reveals his suspicions that Leopold is sanctioning slavery, and persuades John to accompany him to the Congo as a credible witness to discover the truth.
Pursuing the steamship, John, George, and the village's remaining warriors seize a train carrying Belgian Force Publique soldiers and enslaved Congolese.
Finding documents that will expose Leopold, John and George leave the proof with the Kuba warriors and rescued enslaved people to deliver to Boma.
John arrives, saving some Mangani, including Akut, and pursues Rom, who takes Jane to Mbonga's tribe to collect the diamonds.
John and George send a stampede of wildebeest through the town, overrunning Rom's men, as the Kuba warriors arrive by train and free their families.
George returns to London and presents the prime minister with an open letter to Leopold exposing the slavery and abuses of the Congolese people.
Del Toro dropped out to work on The Hobbit[22][better source needed] and by 2008, it was reported that a different version of Tarzan, co-written by Stephen Sommers and Stuart Beatle, that was said to resemble the Pirates of the Caribbean series, was in development.
[4][29] On November 14, 2012, Alexander Skarsgård was cast in the title role, the choice of director Yates, while Samuel L. Jackson was being eyed to play Williams in the film.
[12] The studio eyed Margot Robbie and Emma Stone to play the female lead character, Jane Porter.
[citation needed] Principal photography on the film commenced on June 30, 2014, at Warner Bros. Studios in Leavesden, Hertfordshire, England.
Kedleston Hall in Derbyshire stood in for the Greystoke Manor, and a cedar tree on the grounds of Highclere Castle served as the setting for an early pivotal scene between Tarzan and Jane.
[50][51] Internationally, The Legend of Tarzan received a scattered release pattern, in order to take advantage of the competitive landscape surrounding the UEFA Euro 2016.
Jeff Goldstein, Warner's executive vice president of domestic distribution, told The New York Times, "This property has always really been about the international opportunity.
"[53] The film opened across 19 markets on the same weekend it debuted in North America, including major territories like Russia and South Korea.
Although the opening number was regarded strong, it came in second place, behind Skiptrace, which occupied a market share in excess of 56%, in comparison to The Legend of Tarzan's 16%.
The website's critical consensus reads, "The Legend of Tarzan has more on its mind than many movies starring the classic character, but that isn't enough to make up for its generic plot or sluggish pace.
[66] Manohla Dargis of The New York Times gave the film a positive review, stating "What makes it more enjoyable than a lot of recycled stories of this type is that the filmmakers have given Tarzan a thoughtful, imperfect makeover.
"[68] Peter Debruge of Variety gave the film a negative review, stating "A talky and mostly turgid attempt by British director David Yates to build on the epic vision he brought to the final four Harry Potter movies via another beloved literary hero.