The UK release once again omitted Ray Slijngaard's rap, which lasted for 16 bars three times through, but did include some of the vocals from Anita Doth, with the "mocking chorus echoes" being abandoned as only Ray's part remains, thus leaving Anita's sole vocals as "disembodied whispers" during the middle eight.

[4] Larry Flick from Billboard wrote, "One of the more successful techno acts in Europe continues its bid for mainstream club and radio approval along these shores with a cute and NRGetic wriggler.

"[5] Kat Stevens of Freaky Trigger noted the track's "tasty ingredients" of "recogniseable pop stars, colourful boshing beats, catchy chorus, silly noises [and] fervoured anticipation."

[3] James Hamilton from Music Week's RM Dance Update deemed it as "'Start-Rite' techno for young "wannabe" ravers".

[6] Tom Doyle from Smash Hits stated that "the insufferable duo return with another ropey techno effort".