The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière, and Marie-Hélène Estienne.
The set design and costumes by Chloé Obolenski; stage management by Rémi Jullien; lights by Jean Kalman.
The cast included twenty-one performers from sixteen Countries: Joséphine Derenne (Kunti), Maurice Bénichou (Ganesha, Krishna), Pascaline Pointillart (Amba, Subhadra, servante of Gandhari), Mireille Maalouf (Ganga, Gandhari, Gudeshna), Tam Sir Niane (Madri, Hidimbi), Mallika Sarabhai (Satyavati, Draupadi), Ryszard Cieslak (Dhritarashtra), Clovis (Ekalavya, Uttara, Abhimanyu), Georges Corraface (Dushassana), Jean-Paul Denizon (Nakula, Aswhattaman), Mamadou Dioume (Bhima), Matthias Habich (Yudishthira), Andréas Katsulas (Jayadratha, Salva), Sotigui Kouyaté (Bhishma, Parashurama), Alain Maratrat (Vyasa), Clément Masdongar (Shishupala, Ghatotkatcha, eternal young man), Vittorio Mezzogiorno (Arjuna), Bruce Myers (Karna), Yoshi Oida (Drona, Kitchaka), Andrzej Seweryn (Duryodhana), Douta Seck (king of fishermen, Shakuni, Virata, Sandjaya), Tapa Sudana (Pandu, Shiva, Shalya), Ken Higelin (child), Lutfi Jakfar (child), Nicolas Sananikone (child), Samon Takahashi (child).
In a long article in 1985, The New York Times registered the "overwhelming critical acclaim" the production received and that the play "did nothing less than attempt to transform Hindu myth into universalized art, accessible to any culture".
For instance, Gautam Dasgupta writes that, "Brook's Mahabharata falls short of the essential Indianness of the epic by staging predominantly its major incidents and failing to adequately emphasize its coterminous philosophical precepts.