[1] It depicts the life of carpenter Christophe Benedit, as well as of the other inhabitants of the small French town of St-Loup-sur-Mer.
Una Troubridge — Hall's partner — described the novel as being about a "modern Christ figure";[2] the University of London has noted speculation that Hall wrote it as "expiation" for having inspired Beresford Egan's "blasphemous" cartoon of Hall being crucified.
[3] The Spectator considered that it was "a solid, full story", with "a high seriousness of purpose", but faulted Hall's use of symbolism, claiming that this makes the story "totter dangerously".
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