Ten years later, Nick LaRocca recruited most of the quintet to form a new swing band featuring the ODJB members.

On March 3, 1916 the musicians began their job at Schiller's Cafe in Chicago under the name Stein's Dixie Jass Band.

Shortly after arriving in New York, a letter dated January 29, 1917, offered the band an audition for the Columbia Graphophone Company.

A court case dispute over the authorship of "Livery Stable Blues" resulted in the judge declaring the tune in the "public domain".

In 1918, the song "When You Hear That Dixieland Jazz Band Play" by Shelton Brooks, "the King of Ragtime Writers", was published by Will Rossiter in Chicago.

"Aggravatin' Papa" was composed with lyricist Roy Turk and Addie Britt and was recorded by Alberta Hunter in 1923 with Fletcher Henderson's Dance Orchestra and also by Bessie Smith, Sophie Tucker, Florence Mills, Lucille Hegamin, and Pearl Bailey.

Robinson also collaborated with Roy Turk on the compositions "Sweet Man O' Mine" and "A-Wearin' Away the Blues", and he wrote "Mama Whip!

"Margie", composed by J. Russel Robinson with Con Conrad, with lyrics added by Benny Davis, has been covered over a hundred times.

Dave Brubeck, Bix Beiderbecke, Bing Crosby, Jo Stafford, Erroll Garner, Oscar Peterson, Charlie Shavers, Jimmy Smith, Joe Venuti, Ray Barretto, and Shelly Manne also have recorded the song.

Other New Orleans musicians, including Nunez, Tom Brown, and Frank Christian, followed ODJB's example and went to New York to play jazz as well, giving the band competition.

The concert did not start auspiciously, with the assembled aristocracy, which included French Marshal Philippe Pétain, peering through opera glasses at the band "as though there were bugs on us", according to LaRocca.

He was replaced by 19-year-old trumpeter Henry Levine, who in 1940 brought this kind of repertoire to the NBC radio show The Chamber Music Society of Lower Basin Street.

The personnel for this final incarnation of the "original" ODJB was Tony Sbarbaro (drums), Henry Levine (trumpet), Artie Seaberg (clarinet), Al Caplan (trombone), and Wilder Chase (piano).

As Abel Green of Variety put it: "[Paul] Whiteman with his symphonic syncopation came along and made America and the world conscious of his arranged sweet foxtrotology.

In October 1935 Tony Sbarbaro recorded four sides for Vocalion with his own quintet, billed as "Original Dixieland Jazz Band".

He assembled a 14-piece swing band featuring four members of the ODJB: himself, Larry Shields, J. Russel Robinson, and Tony Sbarbaro.

Benny Goodman (who was present at the quintet's Victor recording session) named Shields as an important early influence, and invited the band to appear on his network radio show, where the ODJB was a sensation.

The ODJB reunion received widespread publicity, including a March of Time newsreel re-creating the group's first recording session and showing their successful performance in Boston on December 31, 1936.

The band opened Billy Rose's opulent Frontier Fiesta club in Fort Worth, Texas in July 1937.

Edwards, Shields, and Sbarbaro had one more recording date with Victor on February 18, 1938; they were augmented by New York-area sidemen and vocalist Lola Bard.

In November 1943 Tony Sbarbaro, claiming ownership of the ODJB name, brought back Eddie Edwards (and went after Larry Shields) to appear with the Original Dixieland Jazz Band in Sol Hurok's stage production Tropical Review in Forrest, New York.

Of the veteran quintet, only Tony Sbarbaro lived to witness RCA Victor's commemoration of the 50th anniversary of the Original Dixieland Jazz Band.

Louis Armstrong acknowledged the importance of ODJB: Only four years before I learned to play the trumpet in the Waif's Home, or in 1909, the first great jazz orchestra was formed in New Orleans by a cornet player named Dominick James LaRocca.

Besides himself at the cornet, LaRocca had Larry Shields, clarinet, Eddie Edwards, trombone, Ragas, piano, and Sbarbaro, drums.

Nick LaRocca and the reunited Original Dixieland Jass Band performed "Tiger Rag" in The March of Time newsreel segment titled "Birth of Swing", released to U.S. theaters on February 19, 1937.

Their first release, "Livery Stable Blues", featured instruments doing barnyard imitations and the fully loaded trap set, wood blocks, cowbells, gongs, and Chinese gourds.

At the time, their music was liberating; the barnyard sounds were experiments in altering the tonal qualities of the instruments, and clattering wood blocks broke up the rhythm.

Clarinetist Larry Shields is perhaps the most interesting player, showing a good fluid tone, and if his melodic variations and breaks now seem overly familiar, this is because they were imitated widely by musicians who followed in the band's footsteps.

The band's seminal 78-rpm recordings include the following (on Victor, Columbia, and Aeolian Vocalion): (LaRocca, Shields, Robinson, and Sbarbaro with orchestra) (reunion of the 1919 quintet: LaRocca, Shields, Edwards, Robinson, and Sbarbaro) The soundtrack album to the 2011 Boardwalk Empire series on HBO includes performances of three songs recorded by the Original Dixieland Jazz Band: "Livery Stable Blues", "Mournin' Blues", and "Margie", performed by Vince Giordano and the Nighthawks Orchestra.

In 2006, the Original Dixieland Jazz Band's recording of "Darktown Strutters' Ball", released in 1917 as Columbia single A2297, was inducted into the Grammy Hall of Fame.