[3] Adé supported the album with a North American tour that featured a 15-member version of his band, the African Beats.

[10] The Chicago Tribune wrote that the album "serves to highlight Ade's patented 'Synchro System' style, emphasizing a balance between all the 20-odd instruments in his band—the burbling, clattering, thumping riot of talking drums, shakers, rattles and other percussion, the sinuous electric and Hawaiian guitar lines and the synthesizer fills.

"[14] The Los Angeles Times deemed the music "characteristically hypnotic, joyful and eminently danceable.

"[12] Trouser Press concluded: "Shaking off his failure to win Western hearts, Adé sounds like a happy man again; the joyous juju reaffirms his status as one of the most captivating and important musical talents anywhere in the world today.

"[7] AllMusic stated that "the sound is from the 'synchro system' end of the spectrum, with slightly psychedelic guitar effects here and there and loping beats bumped out by a collection of talking drums as well as the usual drum kit.