Doubts linger about the crash having been an accident, and some characters start suspecting it was an attempted suicide, maybe motivated by Felt's growing discomfort about his unusual family arrangement.
The flip side of the wives' ostensible faultless lifestyle is also presented, when it is suggested that Leah has been involved in another relationship, and Theo admits to having experienced long spells of being cold and sexless.
Through Felt, Miller presents the supposition that monogamy is an unnatural and unattainable state imposed on men by rigid but unnecessary social convention.
Seven years later, it received its first New York City staging in a production directed by David Esbjornson, which opened on October 27, 1998, at the Public Theater, where it ran for 40 performances.
Lukewarm reviews and poor box office convinced the producers (including the Shubert Organization) to post a closing notice and, in memorably impassioned Saturday matinee and evening curtain speeches, Stewart accused them of not being supportive, stating "Arthur Miller and I no longer have confidence in our producers' commitment to promote and publicize this extraordinarily provocative and vastly entertaining play.