Royal College of Music

Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.

[6] In 1881, with George Grove as a leading instigator and with the support of the Prince of Wales, a draft charter was drawn up for a successor body to the NTSM.

In his determination that the new institution should succeed as a training ground for orchestral players, Grove had two principal allies: the violinist Henry Holmes and the composer and conductor Charles Villiers Stanford.

The potential strength of the college orchestra, including fee-paying instrumental students, was 33 violins, five violas, six cellos, one double bass, one flute, one oboe and two horns.

The building was designed by Sir Arthur Blomfield in Flemish Mannerist style in red brick dressed with buff-coloured Welden stone.

[13] The College's teaching professoriate numbers over 200 musicians, including internationally known figures like Dmitri Alexeev, Martyn Brabbins, Natalie Clein, Danny Driver, Martin Gatt, Chen Jiafeng, Jakob Lindberg, Mike Lovatt, Patricia Rozario, Brindley Sherratt, Ashley Solomon, Mark-Anthony Turnage, Maxim Vengerov, Roger Vignoles, Raphael Wallfisch and Errollyn Wallen as well as principals of the major London orchestras including the London Symphony, BBC Symphony, London Philharmonic and the Philharmonia.

[15] Opened in 2016, the Royal College of Music’s hall of residence, Prince Consort Village, provides accommodation for more than 400 students and with acoustically treated bedrooms and dedicated practise rooms.

[17] Since August 2011, RCM has been collaborating with Nanyang Academy of Fine Arts, Singapore, and now offers both undergraduate and taught postgraduate degree programmes, jointly conferred by both institutions.

Owing partly to the vision of its founders, particularly Grove, the RCM now holds significant Collection Materials, dating from the fifteenth century onwards.

These include autograph manuscripts such as Anne Boleyn's Music Book, Chopin's Minute Waltz, Elgar's Cello Concerto, Haydn's String Quartet No.

Since opening in 1882, the college has had a distinguished list of teachers and alumni, including most of the composers who brought about the "English Musical Renaissance" of the 19th and 20th centuries.

Students in the time of Stanford and Parry included Samuel Coleridge-Taylor, Gustav Holst, Ralph Vaughan Williams and John Ireland.

[23] Later alumni include Louise Alder, Sir Thomas Allen, Stanley Bate, Benjamin Britten, Dame Sarah Connolly, Colin Davis, Sir James Galway, Peggy Glanville-Hicks, Gwyneth Jones, Rowland Lee, Neville Marriner, Anna Meredith, Hugh McLean, Tarik O'Regan, Gervase de Peyer, Trevor Pinnock, Anna Russell, Dame Joan Sutherland, Mark-Anthony Turnage, Andrew Lloyd Webber, Julian Lloyd Webber, James Horner, Sir Reginald Thatcher, Michael Tippett and the guitarist John Williams.

head and shoulders shots of four youngish men in early 20th century dress
Early RCM pupils included (clockwise from top left) Coleridge-Taylor , Holst , Vaughan Williams and Ireland