He is accompanied in the journey through the roads of Eastern Spain by his daughter Cloe, who wants to change Ernesto's mind about his plan.

Desirée de Fez of Fotogramas rated the film 3 out of 5 stars, considering that it works its worst when portraying the characters' relationships with art, but it works better in its affective dimension, with Mañas proposing "solid" characters in the latter regard, describing human relationships with clarity, allowing himself for certain escapes into the extravagant.

[9] Marta Medina of El Confidencial scored 3 out of 5 stars, writing that the film is "a plea in favor of bohemia, insurrection, heterogeneity", "a project without excessive pretensions, but with a lot of frankness".

[10] Beatriz Martínez of El Periódico de Catalunya rated 2 out of 5 stars, deeming the film to be "somewhat dated", featuring "an enormous deal of self-indulgence" when outlining the characters and their actions, also assessing that, positive and luminous tone notwithstanding, the film is dragged by the "constant need to be giving life lessons".

[11] Sergio F. Pinilla of Cinemanía rated 3½ out of 5 stars, writing that the film features a "brilliant first act", "illuminated by the warm and enigmatic presence of actress Magüi Mira", which is followed by a part displaying rather conventional elements, presumably more connected to the autobiographical side of the screenplay, underpinning the film to be a "comforting road movie with the duende of the diva Magüi Mira".