Founded in 1984 by lead vocalist Rob Morgan (founder, as well, of the Poplust zine), the band went through numerous lineups, but has stuck to the aesthetic that Peter Blecha describes as "cross-pollinat[ing] bubblegum sensibilities with punk attitudes.
Arm's version of the story suggests a large group of hecklers, but according to Morgan it was "a small group... trying desperately to out 'punk rock' each other, while the rest of the audience... smart enough to realize that punk was much more of a mindset than a hairstyle & a jacket... looked on in befuddled amusement—" The Pudz' sole single—a Dave Locksley original called "Take Me To Your, (Leader)" b/w "Take A Letter Maria"— was as close to a "hit" as one could have in the DIY era, receiving airplay on college radio up and down the West Coast.
In 2000, "Leader" was included in an Experience Music Project 2-CD retrospective of Northwest Rock, which also featured more famous groups like The Sonics, Paul Revere & The Raiders, Heart and Pearl Jam.
This proved to be only a temporary expedient: most of the Fellows chose to concentrate on their own band, leaving Rob & YFF drummer Tad Hutchison to put together a new lineup that they christened New Age Urban Squirrels.
The equally varied lineups intersected such Seattle groups as YFF, The Fastbacks, The Dynette Set, The Posies, and Pure Joy, and included several people with extensive musical theater experience.
The band has also had guest appearances by the likes of Re Styles of the Tubes, Roy Loney of Flamin' Groovies, Tortelvis of Dread Zeppelin, and Skerik of Critters Buggin'.
Still, they maintained a steady & fairly rabid fanbase, with fans routinely flying in from all over the country for the band's annual XXXmas X-travaganza, an institution since 1990 that featured the Drunken Angel Bodyguards.
Perhaps the most widely respected Squirrels album is The Not-So-Bright Side of the Moon (2000), a song-by-song cover of the Pink Floyd album The Dark Side of the Moon, described by Jim DeRogatis, of the Chicago Sun-Times as a "...brilliant through-the-looking-glass reimagining of Pink Floyd's classic..." The best recorded evidence of the Squirrels recombinant approach can be found on their Christmas recordings, such as "Smoke on the Housetop" (combining Deep Purple's "Smoke on the Water" with B.R.