The song's subject matter involves the proceeds from the illegal sale of codeine-infused lemonade, all of which the artist describes as yellow or lemon-colored.

"Bingo", featuring Soulja Boy and Waka Flocka Flame, was released as the album's fourth single on January 12, 2010.

"[16] Gregory Heaney of AllMusic praised the producers and guest artists for creating an album that's a culmination of the Dirty South sound and Gucci for straddling the line between excessive and contemplative, saying that, "At the end of the day, The State vs. Radric Davis delivers the full spectrum of Gucci Mane, showing both the cash and yellow diamond-loving side, as well as his more reflective (or at least more self-aware) side.

"[12] Rob Markman of XXL also credited the album for having the producers supply it with great sounds and for giving Gucci some guests artists he can trade lines with, concluding that "musically, The State vs. Radric Davis has proven the rapper's case beyond a reasonable doubt.

"[21] Spin writer Sean Fennessey was fascinated by Gucci's "low-toned voice, relentless repetition, and brilliantly goofy way with vocabulary" in his lyrical delivery and how subversive he can be on tracks like "Heavy" and "Worst Enemy", concluding that, "Gucci is not always so reflective; sometimes he's as broad and bracing as a ball-peen hammer [...] But more often than not, the prolific MC limits his id, and emphasizes a surprisingly gripping superego.

"[20] Louis Cloutier of RapReviews commended the contributions from Fatboi and Drumma Boy throughout the record but was critical of Gucci's limited skills as a rapper, pointing out he excels in the "light-hearted goofiness" of the former but gets overshadowed by the guest artists who ride the latter's "dark and serious tone" better than he does, with the exception of "Worst Enemy", concluding that "In short, there's nothing seriously wrong with Gucci Mane, but there's nothing seriously right either.

Club credited Gucci for compensating his rap delivery over "tinny keyboards and booming drum machines" with "sharp wordplay" but found that formula for the album lacking and suggested listening to his free mixtapes.

[13] Paul MacInnes of The Guardian found the album disappointing, calling the Dirty South sound "by the numbers", the producers' contributions unengaging and Gucci's mumbling delivery hard to listen to.