Other photographs are of demonstrations outside the Turner Prize, two artists (Ella Guru and Sexton Ming) getting married in drag, and Stella Vine in the Vote Stuckist show in 2001.
[10] Thomson's essay starts with an account of a confrontation with Sir Nicholas Serota in Trafalgar Square in 2001 on the occasion of a Stuckist demonstration against the installation of Rachel Whiteread's sculpture Monument.
[11] It then traces the history of the group from origins in 1979 to its foundation in 1999, reviews "A Dysfunctional Decade of Saatchi Art", describes Stuckist demonstrations at the Turner Prize and gives background on artists who have left the Stuckists—co-founder Billy Childish, Stella Vine and Gina Bold.
[11] A final section puts the group in context in a wider historical view with a proposition that the development of Modernism has been a "story of fragmentation" and that it is necessary to provide a holistic approach.
He describes the emergence of the homegrown radical movement, the Vorticists and how they clashed on one occasion, using brass knuckledusters, with rival avant-garde group the Italian Futurists.
[12] The second section is an analysis of a BBC2 Newsnight programme on 19 October 1999 hosted by Jeremy Paxman with Charles Thomson attacking that year's Turner Prize and artist Brad Lochore defending it.
O'Keefe's conclusion remains undecided as to "whether the Momart warehouse blaze indeed represents the funeral pyre of BritArt" and as to the future of Stuckism's role "from its outpost on the edge".
[12] Daily Mail feature writer Jane Kelly, who is also a Stuckist artist, was sacked by the paper after exhibiting her painting If We Could Undo Psychosis 2 in the show.
[4] The painting shows a family group of mother and two children with child-killer Myra Hindley substituted for the father and holding a teddy bear.
[14] Susan Mansfield in The Scotsman said they were "far from traditional or conservative" and "as shocking as anything Jake and Dinos Chapman could produce", adding "the Stuckists have a strong philosophical base".
[6] A review in the inflight magazine Velocity evaluated the work as "a worthy argument for painting as the fundamental medium of artistic expression ... a refreshing willingness to be understood in today's world of oblique messages.
"[8] The Times reported: The Tate was accused yesterday of snubbing one of Britain’s foremost collections after it rejected a gift of 160 paintings that had been given pride of place at the Walker Art Gallery in Liverpool.
"[8]Thomson said, "The Tate ... rejected Modernism and artists such as Matisse and Picasso ... Now it has lost the nation the prime works of an international movement founded in Britain.
[8] A direct consequence of this was a media campaign Thomson led over the Tate's purchase of its trustee Chris Ofili's work, The Upper Room.
"[20] Philip Absolon, Frances Castle, Elsa Dax, Eamon Everall, Ella Guru, Paul Harvey, Wolf Howard, Bill Lewis, Joe Machine, Peter McArdle, Mandy McCartin, Sexton Ming, Charles Thomson, Charles Williams Stephen Coots, David John Beesley, Dan Belton, John Bourne, Jonathon Coudrille, Michelle England, Stephen Howarth, Naive John, Rachel Jordan, Jane Kelly, Emily Mann, Daniel Pincham-Phipps, Matthew Robinson, Mary von Stockhausen.
Godfrey Blow, J Todd Dockery, Brett Hamil, Tony Juliano, ZF Lively, Terry Marks, Jesse Richards Andy Bullock, Larry Dunstan, Wolf Howard, Charles Thomson