It was most active before World War II, and was influential on Australian photography for fifty years.
All six signed a manifesto, pledging to advance and promote a Pictorialist photography devoted to Australian sunlight and shadow as opposed to the greys and ‘dismal’ shadows of European styles.
[1] In this ambition they shared the ideals of the Heidelberg School of Australian painters.
The group was dominated by amateurs interested in photography as an art form who shared constructive criticism and support at their meetings, exhibiting their work under the name of The Sydney Camera Circle.
The group continued as an entity until 1978 when membership was dwindling in competition with that of the Australian Photographic Society and the Camera Club of Sydney.