[2] Authentic performance practice is a major aim of The Tudor Consort, and consideration of ensemble size, pronunciation, pitch, vocal style and ornamentation feature strongly in the work of the group.

Simon, with The Tudor Consort, pioneered the use of liturgical reconstruction as a method of presenting early sacred music.

[1] [2] [3] Succeeding directors substantially expanded on the group's repertoire base to the excitement of the local musical community.

Internationally recognised baroque specialist Professor Peter Walls directed performances of early 17th-century Venetian vespers and masses, music for the coronation of James II, Mozart orchestral masses, Bach and Buxtehude cantatas, Purcell and Handel anthems, many performed in conjunction with period instrument ensemble The Baroque Players.

Under Alastair's guidance the group toured overseas and claimed silver and bronze awards at the 35th International Choral Competition in Tolosa, Spain in 2003.