The Visit (Arabic: الزيارة, Al-Ziyarah) is a 1970 Syrian experimental short film directed by Iraqi-born filmmaker Kais al-Zubaidi.

Described by al-Zubaidi as a "film-poem",[1] The Visit is a collage film composed of photographs and drawings; poetry by Palestinian poets Mahmoud Darwish, Samih al-Qasim and Tawfiq Ziad; and two acted scenes.

[2] In 2018, author Nadia Yaqub analyzed the film's use of juxtaposition, writing that its incorporation of "verses from poets residing within Israel, the documentary images of violence from the 1967 Israeli occupation of Arab lands, and the acted scenes in indeterminate locations suggest the shared political context in which disparate Palestinians (and perhaps other Arabs) face oppression.

"[3] Yaqub adds that the film's juxtaposition of photographs and acted scenes suggest "the dichotomy between documentary (in which violence is explicit and graphic) and imaginative (in which violence is mediated through metaphors) images," and utilizes imagery of a face staring directly into the camera as a means to "[implicate] viewers in the circuits already connected by documentary and staged images".

[6] In 2014, The Visit was screened as part of an exhibition titled "The World Is with Us: Global Film and Poster Art from the Palestinian Revolution, 1968–1980", held in London, England, from 16 May to 14 June 2014.