The brothel maid takes pity on poor Anna and smuggles out a letter to her parents, who seek help from the "Association for the White Slave Trade Fight".

When Georg and the detective, who have alerted Scotland Yard, arrive at the house, the maid tells them where she has been brought.

Georg and the police manage to board the ship just before it leaves and after a brief but exciting fight Anna is finally freed and can return home.

As a guide, the printed programme is unnecessary, the rapidly shifting but carefully linked episodes speak for themselves".

[3] To bank on this success, Olsen asked Blom to watch carefully the Fotorama film and to make a scene-by-scene re-creation of it.

Ole Olsen threatened a Hamburg cinema owner to stop supplying any Nordisk production to him if he did not program The White Slave Trade.

[7] Apparently the censors, shocked by the brothel scenes, were not convinced by the argument that the film exalted the innocence of the heroin and that white slavery had the power of metaphor "to reduce the complex problem of prostitution to a simple story of villain and victim.