The Wretches Are Still Singing (Greek: Τα Κουρέλια Τραγουδάνε Ακόμα..., romanized: Ta Kourelia Tragoudane Akoma...) is a 1979 Greek dramatic experimental independent surrealist underground art film directed by Nikos Nikolaidis.

It is the first part of the "Years of Cholera" trilogy continuing with Sweet Bunch (1983) and ending with The Loser Takes It All (2002).

The director studied the transformation of social values using the example of a group of five friends who meet after a long separation and share with each other the details of their difficult lives.

The film became the symbol of the 1950s generation and reflected his personal views on the problem of alienation in the modern world.

The film was shot in a surreal way with a predilection for the aesthetics of the Marquis de Sade.