In political anthropology, a theatre state is a political state directed towards the performance of drama and ritual rather than towards more conventional ends such as warfare and welfare.
Power in a theatre state is exercised through spectacle.
The term, coined by Clifford Geertz (1926–2006) in 1980 in reference to political practice in the nineteenth-century Balinese Negara,[1] has since expanded in usage.
Hunik Kwon and Byung-Ho Chung, for example, regard contemporary North Korea as a theatre state.
[2] In Geertz's original usage, the concept of the theatre state contests the notion that precolonial society can be analysed in the conventional discourse of Oriental despotism.