[1] The film stars Tatiana Zinga Botao as Marie-Cobra Tremblay, a writer who is working on a screenplay she hopes that Denzel Washington will star in; however, her work is complicated by the disapproval of her ex-husband Rosaire (François-Simon Poirier) and her best friend Mélusine (Leslie Mavangui), Washington's (Fayolle Jean) lack of interest in the project as he is more focused on the goal of getting cast as Angel in a new Buffy the Vampire Slayer reboot, and the discouraging feedback of professional screenwriter Croquette (Éric K.
[2] The film's cast also includes Florence Blain Mbaye, Alexis Martin, Ève Duranceau, Schelby Jean-Baptiste, Jean-Marc Dalpé and Emery Habwineza.
[4] Alex Rose of Cult MTL reviewed the film positively, writing that it "goes in every direction at once, a dialogue-dense comedy of manners that subscribes to no particular sense of genre or comedic timing.
Though somewhat of a meta-deconstruction of the process of writing a film (with copious jabs at the wonderfulness of grants) and of the invisible borders of intellectualism (prompting the immortal line “Pasolini, y’est-tu sur Netflix?
"[2] For Screen Anarchy, Shelagh Rowan-Legg wrote that "At nearly two hours, it could have probably trimmed its time a bit; absurdism can get tiring when the audience has to keep up with all the complicated connections, and perhaps a few of the vignettes didn't quite find their feet.