[1] He has been at the forefront of a generation of photographers who came of age during the sixties counterculture and has worked with numerous experimental processes.
[3] He has utilized different mediums such as spray paint and builder's caulk to disrupt the pictorial image.
Often he physically deconstructs and reassembles his prints to draw attention to the materiality of the photograph.
[4] Barrow has filled multiple roles as curator, editor, educator, and practitioner during his career.
He held the titles of curator, assistant director and editor at George Eastman House from 1965 to 1972.