[3] Initially, he wanted to study commercial art, but he turned to printmaking and learned the technique of lithography and etching from Eberhard Behr.

Clients included the chocolate manufacturer Ferrero SpA, the carpet brand Enkalon, the fashion designer Pierre Cardin and the trade union bank BfG.

[3] His students included Haegue Yang, Jana Euler, Tomas Saraceno, Martin Liebscher, Marko Lehanka, Georg Peez, Manfred Stumpf, Kerstin Jeckel and Stefan Müller.

[2] By reflecting on a world of goods as an accumulation of multipliable, repeatable forms and pictograms, Bayrle not only provides a commentary on society, but also refers to his own artistic means.

Bayrle has had solo exhibitions in Düsseldorf, Montreal, Cologne, Graz, Frankfurt, Vienna, Venice, Auckland, Berlin, Duisburg, Geneva, Karlsruhe, New York, Zürich and Austin/Texas.

In 2005 and 2006, Bayrle took part in exhibitions at the Center for Art and Media Technology, Karlsruhe, the Kunstmuseum Thun, the Kunsthaus Zürich, the Museum für Moderne Kunst (MMK), Frankfurt, and the Kunsthalle Fridericianum, Kassel.

In 2007 Bayrle exhibited at the Fonds Régional d'Art Contemporain Limousin (FRAC), Limoges and at the Office for Contemporary Art, Oslo.

For the 2003/2004 season at the Vienna State Opera, he designed a huge painting (176 m2) as part of the "Iron Curtain" exhibition series conceived by museum in progress.