Thomas Ravenscroft

[2] Ravenscroft's principal contributions are his collections of folk music, including catches, rounds, street cries, vendor songs, "freeman's songs" and other anonymous music, in three collections: Pammelia (1609), Deuteromelia or The Second Part of Musicks Melodie (1609) and Melismata (1611), which contains one of the best-known works in his collections, The Three Ravens.

[3] He moved to Bristol where he published a metrical psalter (The Whole Booke of Psalmes) in 1621.

As a composer, his works are mostly forgotten but include 11 anthems, 3 motets for five voices and 4 fantasias for viols.

The Briefe Discourse of the True (but Neglected) Use of Charact'ring the Degrees (London, 1614) includes 20 songs as examples: seven by John Bennet, two by Edward Pearce and the rest by Ravenscroft himself.

Of these, the group of dialect songs 'Hodge und Malkyn' from the fifth a final section was nominated by Jeffrey Mark as the earliest example of a song-cycle in English music history.

Ravenscroft: "I Have House and Land in Kent" (1611) on sampled instrumentation