Thumbscrew (torture)

Historians James Cochrane and John McCrone wrote in 1833, Thus we read, that in 1596, the son and daughter of Aleson Balfour, who was accused of witchcraft were tortured before her to make her confess her crime in the manner following: Her son was put in the buits where he suffered fifty seven strokes; and her daughter about seven years old, was put in the pilniewinks.

In the same case, mention was made, besides pilniewinks, pinniewinks or pilliwinks, of caspitanos or caspicaws, and of tosots, as instruments of torture.

The country of the inquisition was certainly a fit quarter from whence to derive so congenial an instrument; but other accounts, as we have said, and these apparently unquestionable, assign it a later introduction...

In the torturing of [William] Spence, Lord Fountainhall mentions the origin of the thumbikens, stating that this instrument "was a new invention used among the colliers upon transgressors, and discovered by Generals Dalyell and Drummond, they having seen them used in Muscovy."

This point we think is put beyond all doubt by the following act of the privy council in 1684, quoted in Wodrow's invaluable history: "Whereas there is now a new invention and engine called the thumbikens ... the Lords of His Majesty's Council do therefore ordain, that when any person shall be put to the torture, that the boots and the thumbikens both be applied to them..."[3]In 1612 the Baroque painter Orazio Gentileschi accused his colleague, Agostino Tassi, of raping his daughter, the painter Artemisia Gentileschi.

17th-century thumbscrew, Märkisches Museum Berlin
17th-century thumbscrew, Märkisches Museum Berlin
Scottish thumbscrew
Scottish thumbscrews