[12] In September 2007, Thy Will Be Done signed with Stillborn Records and announced that their full-length debut album "Was And Is To Come" would be released on October 23.

The debut was produced, engineered, and mixed by Chris "Zeuss" Harris at Planet Z Studios in Hadley, Massachusetts.

[13] In February 2009, the band completed work on their sophomore full-length album "In Ancient of Days", with a release date expected in early spring.

[20] In early 2010, the band toured with DevilDriver, Suffocation, and Goatwhore[21] with fill-in bassist Jeff Golden who would later go on to join Crowbar.

[22] In Spring/Summer 2010, the band joined All That Remains, Fear Factory, Prong, and Silent Civilian on an east coast tour of the United States.

[25] In November the band announced they'd completed work on the album, and that The groups own rhythm guitarist Kurt Fraunfelter oversaw the engineering of the release with Zeuss (Whitechapel, Chimaira) handling mixing duties.

[31] On August 15, 2012, the band announced that their upcoming EP would be titled Temple and would arrive on September 25, to be released independently via their label Eye.On Lion Records.

Eye.On Lion is a way for us to offer our artistic creations to those who choose to support us and by proxy, excludes a lot of ‘middle-people’.”[32]In September 2012, the band released another track, titled "The Great Rebuilding", via absolutepunk.net.

[34] In 2012, the band performed with Metallica at Orion Music + More,[30] as well as Party to the Apocalypse 2012 starring Shadows Fall, God Forbid and Trumpet the Harlot.

[38] J. Costa and Eric Tavares linked up with members of Anthrax and God Forbid to form a new project named "Lead Pipe Cruelty" in April 2014.

[56] The band also released their entire back catalogue on streaming platforms on March 30, all of it remastered by George Richter at Edestus Audio.

[59] On August 30, 2024, the band released the single "Echos & Narcissists" and premiered a music video (directed by Chariot of the Black Moth) exclusively via Decibel.

[60] Vocalist Jay Costa explained that the song's title was a "nod to the myth of Echo and Narcissus"[61] and that the song "is coming from a perspective where one may see the rise in narcissism, vanity, and seemingly waining work ethic in contemporary society being largely attributed to the influence of social media and AI technologies".