A play trailing the encounters of a street Wayang performer, one of the few left in that generation, Titoudao is inspired by Madam Oon Ah Chiam, the mother of its scriptwriter, Goh Boon Teck.
However, the duo's fate did not go well after Boon Long's supposed betrothed spouse, Teng Lay Kiao and her mother, Diao Si mistook them for beggars.
Fortunately, the compassionate older step-sister of Lay Kiao, the complete opposite of her counterpart, Teng Swee Lian extended her benevolence to the desperate man with great ambitions.
The second act unravels Ah Chiam's budding love story, providing a glimpse into her personal life outside of her wayang times.
It showcases the comical romance between Ah Chiam and her friend's older brother, Thiam Hock which started out seemingly awkward and the sad reality of marriage and life with in-laws for women in that era.
The act includes a scene of the true Madam Oon Ah Chiam appearing on stage, recollecting her wayang experiences and rekindling her love for street opera.
This break in fourth wall appeals to the audience, urging them to appreciate this traditional form of street performance unique to Singapore's heritage.