Armstrong, Freeway, Haile Supreme, Kay Young, Noochie, Olivier St. Louis, Phonte, Saint Ezekiel and Toine Jameson, with contributions from Ralph Real, Dennis Turner, Jon Laine, Fredeka, Felix Herbst, Johan Lenox and Don Carn.

[5] Thomas Stremfel of Spectrum Culture wrote: "To What End, while an overwhelmingly positive record, explores one of his core principles from multiple angles, and for every angle he approaches from, he finds either a clever, inspiring or fun way to turn it into a song".

[6] Dylan Green of Pitchfork wrote: "a handful of the beats skew generic—closing tracks "The Way", with its sleepy Wreckx-n-Effect sample, and "Race", in particular, play like car-commercial music—but To What End avoids defaulting to a rapper spitting with a backing band".

[3] AllMusic's Paul Simpson stated: "Oddisee is a pro at boiling a whirlwind of thoughts and emotions down to concise, relatable songs, and To What End contains some of his most deeply personal work to date".

[2] Quentin B Huff of PopMatters resumed: "Oddisee more than holds his own while weaving his nimble lyricism across his diverse soundscape".