He has written more than twenty works for the theatre, many performed and published, as well as prose, poetry and film projects.
His early writing features a gritty, realistic style, and includes The Winning Number, Concrete and Blackouts.
Often shattering the conventions of traditional theatre, and featuring dream-like imagery, his current style recalls the experiments of the Paris Surrealists during the 1920s.
[3] His short opera libretto Seehunde was set to music by Japanese born composer Shigeru Kan-no.
[4] Bash has worked with theatre companies in Los Angeles, New York and Philadelphia, as well as collaborations with artists from around the world.