Cyrus's initial assault was routed by the Massagetae, after which he set up a fancy banquet with large amounts of wine in the tents of his camp as an ambush and withdrew.

[6][7][4] After Tomyris found out about the death of Spargapises, she sent Cyrus an angry message in which she called the wine, which had caused the destruction of her army and her son, a drug which made those who consumed it so mad that they spoke evil words, and demanded him to leave his land or else she would, swearing upon the Sun, "give him more blood than he could drink.

By around 520 BCE and possibly earlier, her tribe was ruled by a king named Skunxa, who rebelled against the Persian Empire until one of the successors of Cyrus, the Achaemenid king Darius I, carried out a campaign against the Sakas from 520 to 518 BCE during which he conquered the Massagetae, captured Skunxa, and replaced him with a ruler who was loyal to Achaemenid power.

[11][12] The history of Tomyris has been incorporated into the tradition of Western art; Rubens,[13] Allegrini,[14] Luca Ferrari,[15] Mattia Preti, Gustave Moreau and the sculptor Severo Calzetta da Ravenna[16] are among the many artists who have portrayed events in the life of Tomyris and her defeat of Cyrus and his armies.

In Shakespeare's earliest play King Henry VI (Part I), the Countess of Auvergne, while awaiting Lord Talbot's arrival, references Tomyris (Act II, Sc.

[17] Shakespeare's reference to Tomyris as 'Queen of the Scythians', rather than the usual Greek designation 'Queen of the Massagetae', points to two possible likely sources, Marcus Junianus Justinus' "Abridged Trogus Pompeius"[18] in Latin, or Arthur Golding's translation (1564).