He frequently appeared as a love interest for Annette Funicello or as part of a family with Kevin Corcoran as his younger brother and Fred MacMurray as his father.
[4] Joe was not cast, losing out to Drisoll, but Tommy was, and he made his stage debut opposite Will Rogers Jr.[5] "It was five lines, it didn't pay anything, and nobody else showed up, so I got the part," recalled Kirk.
[4] The performance was seen by an agent from the Gertz agency, who signed Kirk and succeeded in casting him in an episode of TV Reader's Digest, "The Last of the Old Time Shooting Sheriffs", directed by William Beaudine.
The first of the serials, The Mystery of the Applegate Treasure, was filmed in June and early July 1956, and aired in October at the start of the show's second season.
The show and Kirk's performance were extremely well received and led to a long association between the actor and the Disney studio.
[8] In August 1956, Disney hired him and the former Mouseketeer Judy Harriet to attend both the Republican and Democratic presidential nominating conventions, for newsreel specials that later appeared on the show.
He did the voice-over narration for "The Eagle Hunters" and dubbing work for the Danish-made film Vesterhavsdrenge, shown on the Mickey Mouse Club as the serial "Boys of the Western Sea".
[10] Kirk's career received its biggest break yet when, in January 1957, Disney cast him as Travis Coates in Old Yeller (1957), an adventure story about a boy and his heroic dog.
[11] Kirk had the lead role in the film, a success at the box-office, and he became Disney's first choice whenever they needed someone to play an all-American teenager.
[12] In July 1958, Kirk was cast in The Shaggy Dog (1959), a comedy about a boy inventor, who under the influence of a magic ring, is repeatedly transformed into an Old English Sheepdog.
[14] (At the same time, Film Daily called Kirk one of its five "male juveniles" of the year, the others being Tim Considine, Ricky Nelson, Eddie Hodges, and James MacArthur.
)[15] With his Disney contract completed, Kirk went to Universal Pictures, where he played the male lead in the English dub of a Soviet animated feature, The Snow Queen, opposite Sandra Dee.
[16] Shaggy Dog turned out to be a hit, gaining significantly larger rentals than Old Yeller, and Disney soon contacted Kirk, offering him another long-term contract and a role as middle son Ernst Robinson in another adventure film, Swiss Family Robinson (1960), starring John Mills, Janet Munro, and once again Dorothy McGuire as his onscreen mother and Corcoran.
[18] Kirk followed up with a secondary role in a fantasy comedy starring Fred MacMurray, The Absent-Minded Professor (1961), another huge hit.
[19] Disney sent Kirk to England for The Horsemasters (1961), a youth-oriented horse riding film, which was made for U.S. television, but screened theatrically in some markets.
[20] It was a box-office disappointment; so too was Moon Pilot (1962), a satirical comedy where Kirk played the younger brother of Tom Tryon.
[24] Kirk starred with Funicello in another overseas-shot story which screened in the United States on TV, but was released in some countries theatrically: Escapade in Florence (1962).
It became an unexpected box-office sensation, earning $4 million in rentals in North America, and Disney invited Funicello and him back to make a sequel, The Monkey's Uncle (1965).
[27] Kirk began to work steadily in television throughout 1956 and 1957 in episodes of Lux Video Theatre ("Green Promise"), Frontier ("The Devil and Doctor O'Hara"), Big Town ("Adult Delinquents"), Crossroads ("The Rabbi Davis Story"), Gunsmoke ("Cow Doctor"), Letter to Loretta ("But for God's Grace", "Little League") and Matinee Theatre ("The Outing", "The Others" – a version of Turn of the Screw).
Concurrent with his film career at Disney, Kirk continued to guest star on television series, such as The O. Henry Playhouse ("Christmas by Injunction"), The Californians (as Billy Kilgore in "Little Lost Man"), Matinee Theatre ("Look Out for John Tucker"), Playhouse 90 ("A Corner of the Garden"),The Millionaire ('Millionaire Charles Bradwell") (1959) Bachelor Father ("A Key for Kelly"), Mr. Novak, "Love in the Wrong Season" (1963), Angel ("Goodbye Young Lovers"), and The Alfred Hitchcock Hour ("Ten Minutes from Now") (1964).
[32] Following his work for AIP, Kirk spent the remainder of the 1960s making various low-budget films, including Village of the Giants (1965) for Bert I. Gordon; The Unkissed Bride (1966) for Jack H. Harris; Track of Thunder[33] and Catalina Caper in 1967[34]; and two films for Texan director Larry Buchanan: Mars Needs Women (1968) and It's Alive!
[20] Kirk said he reached bottom in 1970 when he did two movies that were not Screen Actors Guild, Ride the Hot Wind and Blood of Ghastly Horror, causing him to almost lose his SAG card.
[37] Later in his career, Kirk returned to his home state of Kentucky and performed in musical theatre, including Guys and Dolls, Hello, Dolly!
(as Horace Vandergelder), Anything Goes (as Moonface Martin), A Funny Thing Happened on the Way to the Forum (as Marcus Lycus), and Little Mary Sunshine (as General Fairfax).
[39]While filming The Misadventures of Merlin Jones in 1963, 21-year-old Kirk began a relationship with a 15-year-old boy, and was caught having sex with him at a swimming pool in Burbank.
[44] At the time he was studying acting at the Lee Strasberg Theatre and Film Institute, while working as a busboy in a Los Angeles restaurant.
He was replaced on How to Stuff a Wild Bikini (1965) by Dwayne Hickman (intended as AIP's follow-up to Pajama Party), on The Sons of Katie Elder by Michael Anderson, Jr. and on Beach Ball by Edd Byrnes.
I lived my own life; I guess I was just seeking love or pleasure or some kind of illusory or transitory happiness, and I was pretty wild.
He worked as a waiter and a chauffeur before going into the carpet-cleaning business in the San Fernando Valley area of Los Angeles, an operation which he ran for 20 years.
He wrote an unproduced script about Abraham Lincoln[4] and continued to act occasionally, including small roles in Streets of Death (1988) and Attack of the 60 Foot Centerfold (1995).