AllMusic wrote "While some of this album feels a bit rushed at times, as a whole Tomorrow Morning is a welcome contrast to the darkness of its predecessors, and a deft summertime pop record.

[12] Ryan Drever of Clash, titled their review,"Uplifting and hopeful" and observed, "The final chapter in a trilogy of albums released within around six months of each other, ‘Tomorrow Morning’ has been self-described as E’s “redemption” from the stark, emotional abyss of ‘End Times’ – a record dealing with his own difficult divorce.

Utilizing much fuller and considerably more electronic arrangements this time around, the album is uplifting and hopeful, though no less poignant; the tender self-evaluation of ‘What I Have To Offer’ providing one of many particularly sweet moments.

and concluded "He still comes across as a bedroom auteur, shut away from the world like a DIY hermit, but aside from a bit of vinyl distortion around a few songs, the album sounds too slick to sell E's solitary stance.

"[8] Jon Young of Spin praised the album saying the band tried "something different" on the album, noting its optimistic tone "He still delivers delicate ballads and frayed rockers in a wounded-beast rasp, but Everett is a changed man, scoffing at trouble in the bluesy electronica eruption “My Baby Loves Me” and tenderly extolling his sweetheart on “Spectacular Girl.” The wordless howl of delight on the exuberant gospel stomper “Looking Up” is Everett’s most compelling statement yet.