[6] It was recorded over a week, the longest amount of time that Chenier had spent working on an album; his main concern was ensuring that all the songs sounded different, rather than employing the same zydeco tempo.

[10] The Washington Post wrote that the album is "an arousing example of how zydeco's polyrhythms can benefit from the ballad conventions and horn charts of Memphis soul.

"[10] The Telegram & Gazette said that "Chenier's singing is as impressive as the band's playing, with his voice carrying the rich resonance of a pure bluesman.

"[18] The Record determined that "Chenier's flamboyant accordion-playing is complemented by his smooth, soulful baritone voice and a superb backing band.

"[19] The Journal & Courier opined that the "reigning crown prince of zydeco delivers the instant party record of the season.