The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible.
Use of the Totenkopf as a military emblem began under Frederick the Great, who formed a regiment of Hussar cavalry in the Prussian army commanded by Colonel von Ruesch, the Husaren-Regiment Nr.
After fighting their way through Germany, the Black Brunswickers entered British service and fought with them in the Peninsular War and at the Battle of Waterloo.
According to a writing by Reichsführer-SS Heinrich Himmler, the Totenkopf had the following meaning: The Skull is the reminder that you shall always be willing to put your self at stake for the life of the whole community.
[12] Both the 3rd SS Panzer Division of the Waffen-SS, and the World War II era Luftwaffe's 54th Bomber Wing Kampfgeschwader 54 were given the unit name "Totenkopf", and used a strikingly similar-looking graphic skull-crossbones insignia as the SS units of the same name.
As a term, Totenkopf connotes the human skull as a symbol, typically one with crossed thigh bones as part of a grouping.
For example, the German poet Clemens Brentano (1778–1842) wrote in the story "Baron Hüpfenstich": "Lauter Totenbeine und Totenköpfe, die standen oben herum ..."[32] (i.e. "A lot of bones and skulls, they were placed above ...").