Totenkopf

The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible.

Use of the Totenkopf as a military emblem began under Frederick the Great, who formed a regiment of Hussar cavalry in the Prussian army commanded by Colonel von Ruesch, the Husaren-Regiment Nr.

After fighting their way through Germany, the Black Brunswickers entered British service and fought with them in the Peninsular War and at the Battle of Waterloo.

According to a writing by Reichsführer-SS Heinrich Himmler, the Totenkopf had the following meaning: The Skull is the reminder that you shall always be willing to put your self at stake for the life of the whole community.

[12] Both the 3rd SS Panzer Division of the Waffen-SS, and the World War II era Luftwaffe's 54th Bomber Wing Kampfgeschwader 54 were given the unit name "Totenkopf", and used a strikingly similar-looking graphic skull-crossbones insignia as the SS units of the same name.

As a term, Totenkopf connotes the human skull as a symbol, typically one with crossed thigh bones as part of a grouping.

For example, the German poet Clemens Brentano (1778–1842) wrote in the story "Baron Hüpfenstich": "Lauter Totenbeine und Totenköpfe, die standen oben herum ..."[32] (i.e. "A lot of bones and skulls, they were placed above ...").

August von Mackensen , German field marshal in hussar full dress prior to 1914, with the Totenkopf on his fur busby
Hussar from Husaren-Regiment Nr. 5 (von Ruesch) in 1744 with the Totenkopf on the mirliton (Ger. Flügelmütze )
Totenkopf badge worn by the Brunswick Leibbataillon ("Life-Guard Battalion") at the Battle of Waterloo in 1815
German Empire era Totenkopf
Infante Fernando wearing the uniform of Spain's 8th Light Armoured Cavalry Regiment "Lusitania", 1915
Australian commandos in New Guinea, 1945