"[1] Jon Davis, writing for Exposé Online, stated that the album "compares favorably with the classics of its time," although "Sancious plies his own path, with elements of Mahavishnu, but with some of the Eastern esoterica replaced by earthy American blues."

He praised the rhythm section, stating that it "handles the varied moods and tempos very well, generating plenty of energy when the arrangement calls for it.

"[4] In a review for The Progressive Aspect, Bob Mulvey commented: "it is that spontaneous live feel that makes the music sound so fresh and invigorating – and the rhythm section are truly in empathy and act as the perfect foil for the bombast of David Sancious keyboards and guitar.

"[5] Louder Sound's Malcolm Dome wrote that the four extended tracks "[allow] the musicians... ample space to supplement basic ideas with their considerable imagination," and concluded: "At a time when jazz rock had some amazing protagonists, Sancious showed here why he was among the genre’s elite.

"[6] Paul Rigby, writing for The Audiophile Man, stated: "Sometimes experimental, often enlightening but always new and fresh, this is such a wide ranging album but, remarkably, it never loses its focus which is a testament to Sancious' ability to multi-task and to keep all of the tonal plates moving at the same time.