"The cartoons were so popular that the term Life in Philadelphia became a standard phrase to refer to fashions, trends, and—most especially—black Philadelphians' social practices and sartorial choices.
"[1]: 137 In 1831, British illustrator William Summers redrew and enlarged ten of Clay's cartoons, which were engraved by Charles Hunt, and issued as color lithographs by London publisher Harrison Isaacs.
[3] Another eight of the Clay cartoons redrawn by Summers (from Isaacs) were soon reissued to expand the first Tregear series to twenty plates.
[1]: 145 JULIET._"Dou know'st de mask ob night is on my face, else would amaiden blush bepaint my cheek."
[2] Tregear's version of Life in Philadelphia initially reprinted two of the cartoons from Isaacs, but soon added eight more, bringing its number of plates to twenty.