The Tribuna of the Uffizi (Zoffany)

Beginning in 1764, the German-born painter Johan Zoffany received numerous commissions from the Hanoverian King George III and his consort, Queen Charlotte.

[1] In the summer of 1772, Zoffany left London for Florence, where he met Felton Hervey, an art collector and friend of the king and queen, who figures prominently in the painting.

The Tribuna of the Uffizi combines aspects of the British 18th-century conversation piece, or informal group portrait, with that of the predominantly Flemish 17th-century tradition of Wunderkammer and gallery views.

The first is reported to be Joseph Leeson, 2nd Earl of Milltown, even if his portrait does not match in age and resemblance those in the National Gallery of Ireland by Pompeo Batoni, and Valentine Knightley of Fawsley.

Further to the center of the painting Pietro Bastianelli, curator of the Uffizi Gallery, shows the Venus of Urbino by Titian to John Gordon,[nb 2] Thomas Patch who is apparently the man touching the Venus, but pointing to the figure of a male nude (believed to be a reference to Patch's homosexuality),[6] Sir John Taylor and Sir Horace Mann.

Venus with a Satyr and Cupids by Annibale Carracci Raphael, Madonna della Sedia (Madonna of the Chair), c.1514 Guido Reni, Charity, 1607 Raphael, St John the Baptist Reni, Madonna Madonna della seggiola Correggio, Madonna and Child Justus Sustermans, Galileo Raphael, Madonna of the Goldfinch Franciabigio - Madonna of the Well Guido Reni, Cleopatra, 1635–40 Holy Family, then attributed to Perugino Rubens, Justus Lipsius with his Pupils, c.1615 Portrait of Leo X with two Cardinals by Raphael Tribute Money? by Carravagio? Rubens, Justus Lipsius with his Pupils, c.1615 Raphael, Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi, 1518 Niccolini-Cowper Madonna by Raphael Large central painting Holbein, Sir Richard Southwell, 1536 Cristofano Allori, Miracle of St Julian Holy Family, attributed to Niccolò Soggi ummm Raphael, Niccolini-Cowper Madonna, 1508, then in Lord Cowper’s possession, having bought it from Zoffany, now National Gallery of Art, Washington, DC Titian, Venus of Urbino, 1538 Cupid and Psyche, Roman copy of a Greek original of the 1st or 2nd century BC The ‘Arrotino’ (Knife-Grinder), a Pergamene original of 2nd or 3rd century BC Dancing Faun, marble replica of a bronze of the circle of Praxiteles, 4th century BC The Infant Hercules Strangling the Serpents The Wrestlers, marble copy of a bronze Permamene original, 2nd or 3rd century BC South Indian crater Etruscan helmet Chimera - Etruscan art 8 Oil lamps Egyptian ptahmose, 18th dynasty Greek bronze torso Bust of Julius Caeser Roman silver shield Head of Antinous South Italian crater Etruscan jug Octagonal table with pietra dura top made for the Tribuna, designed by Jacopo Ligozzi and Bernardino Poccetti. Charles Loraine Smith (1751–1835) Richard Edgcumbe, later 2nd Earl of Mount Edgcumbe (1764–1839) George, 3rd Earl Cowper (1738–89) Sir John Dick (1720–1804), British Consul at Leghorn Other Windsor, 6th Earl of Plymouth (1751–99) Johann Zoffany Mr Stevenson, companion to the Lord Lewisham George Legge, Lord Lewisham, later 3rd Earl of Dartmouth (1755–1810) unknown young man Valentine Knightley of Fawsley (1744–96) Pietro Bastianelli, the custodian of the gallery Mr Gordon Hon. Felton Hervey (1712–73) Thomas Patch (1725-82), Painter Sir John Taylor Bt., (d. 1786) Sir Horace Mann (1706–86), British Consul in Florence George Finch, 9th Earl of Winchilsea prob. Roger Wilbraham (1743-1829) Mr Watts Mr Doughty, travelling with Charles Loraine Smith Probably Thomas Wilbraham (b. 1751), brother of Roger The Medici Venus, Roman copy of a Greek original of the 2nd century BC James Bruce (1730–94), African explorer Use a cursor to explore or press button for larger image & copyright
The Tribuna of the Uffizi by Johann Zoffany . Place cursor over artworks or persons to identify them.