[1] Billy Clayton, a 22-year-old pop singer and boyfriend of Let's Eat Grandma's Jenny Hollingworth, died from Ewing's sarcoma, a rare form of bone cancer, on 26 March 2019.

[7] Clash's Tom Kingsley says that on the album, Let's Eat Grandma have "lost some of their charming oddity", with songs such as "upbeat, firework-sampling" "Happy New Year" and "richly patterned" "Hall of Mirrors" being comparable to Chvrches, a comparison which "would be a compliment to any band less fantastically original than" the duo.

"[5] The Guardian's Alexis Petridis calls the album "compelling listening" and says it "offers a smorgasbord of Top 40 choruses and beautiful melodies, which makes the words more impactful.

's Noah Ciubotaru notes how the "thirty-second ambient interlude" "Half Light" "cleanly splits the album in two, bridging pristine synth-pop and pastoral reverie."

[19] The Line of Best Fit's Rachel Saywitz describes "In the Cemetery" as "gentle and wordless, scattered with birdsong and insect chirping" and "a reiteration of the running theme of Two Ribbons, charting a friendship that has been permanently changed through moments of loss and maturation.

"[20] Pitchfork's Aimee Cliff compares the album to the dual process model of coping – "a model of grief counseling [which] claims that grief doesn't follow a logical trajectory of five stages—it's an ocean that comes in waves, a process of 'oscillation' [where] grievers are constantly thrown between periods of feeling OK, even hopeful, and periods of acutely feeling the loss of the past" – which the album presents as "a sequence of moments, bright and bleak and powerful.