Venantius Fortunatus

Some historians, such as D. Tardi, suggest that Fortunatus' family moved to Aquileia because of the turbulent political situation in Treviso after the death of King Theoderic.

Other scholars, such as Judith George, suggest that his family never moved to Aquileia, pointing out that the poet speaks more of Duplavis than any other place regarding his childhood.

[5] Fortunatus' arrival in Metz coincides with the marriage of King Sigibert and Queen Brunhild, and at the ceremony he performed a celebration poem for the entire court.

The relic had been sent from the Byzantine Emperor Justin II to Queen Radegund of the Franks, who after the death of her husband Chlotar I had founded a monastery in Poitiers.

Venantius Fortunatus wrote eleven surviving books of poetry in Latin in a diverse group of genres including epitaphs, panegyrics, georgics, consolations, and religious poems.

It is a fanciful poem, telling the story of how the bride and groom were brought together by Cupid, recalling the style of the classical Latin poets.

Chilperic was known as a headstrong and hot-tempered ruler, however in this panegyric, Fortunatus depicts him as being gracious, compassionate and merciful, never making judgements too quickly, and even praises the king's poetry.

However, other scholars, such as Brennan and George, disagree, postulating that Fortunatus was evoking more of a correctional and moralistic poem towards Chilperic, reminding him how the ideal king ruled, and gently suggesting that he act in that way as well.

Fortunatus' other major work was Vita S. Martini [15] It is a long narrative poem, reminiscent of the classical epics of Greek and Roman cultures but replete with Christian references and allusions, depicting the life of Saint Martin.

He was one of the most prominent poets at this point, and had many contracts, commissions and correspondences with kings, bishops and noblemen and women from the time he arrived in Gaul until his death.

He used his poetry to advance in society, to promote political ideas he supported, usually conceived of by Radegunde or by Gregory, and to pass on personal thoughts and communications.

He was a master wordsmith and because of his promotion of the church, as well as the Roman tendencies of the Frankish royalty, he remained in favour with most of his acquaintances throughout his lifetime.

Anton Bruckner composed a motet based on Vexilla Regis, and Knut Nystedt a choral setting of O Crux Splendidior.