Vera Beringer

[5] Beringer became internationally famous in childhood[6] for originating the role of Little Lord Fauntleroy on the London stage in 1888.

[10] Other stage appearances included roles in The Pillars of Society (1889),[11] The Prince and the Pauper (1890),[12] That Girl (1890), On a Doorstep (1890),[13] Holly Tree Inn (1891),[14][15] Richelieu (1896), Our Boys (1896),[16] The Pilgrim's Progress (1896),[17] My Lady's Orchard (1897),[18] A Warm Member (1898),[13] Shadows on the Blind (1898),[13] Alone in London (1900),[19] The Broken Melody (1902),[20] Warp and Woof (1904),[20] Fanny and the Servant Problem (1908),[1] The Whip (1910),[1] The Odd Woman (1912),[21] The Vision of Delight (1912),[21] The Absent-Minded Husband (1913),[21] The Morning Post (1913),[21][22] and The Man from Blankley's (1930).

[3] Beringer wrote at least nineteen plays, often under the pen name "Henry Seton",[1][20][21][24] including The Boys (1908), False Dawn (1910, with Morley Roberts), Pierrot's Little Joke (1912), Three Common People (1912), A Penny Bunch (1912-1913), The Blue-Stocking (1913, with Mesley Down; an adaptation of Molière's Les Femmes Savantes),[25] Set a Thief (1915),[26] Lucky Jim (1915), Daring (1917), A Pair (1917), The Honourable Gertrude (1918), Biffy (1920, with William Ray), Beltane Night (1923), The Painted Lady (1924),[27] Alice and Thomas and Jane (1932), House Full (1933), and It Might Happen to You (1937).

Lewis Carroll wrote a limerick titled "To Miss Vera Beringer".

[29] In 1933 Vera Beringer and Madge Kendal appeared together as speakers in London, advocating for male teachers and headmasters at boys' schools.

Esme (left) and Vera Beringer (right) in My Lady's Orchard (1897)